The entire album has a consistent early 70s soul feel, representing the commercial side of a sound that was often reserved for the sociopolitical material of adult soul stars of the era. In these tracks, you can hear the nascent seeds of the performer who would later revolutionize the music video with "Thriller" and deliver legendary performances on "Bad." It is a snapshot of a legend in the making, preserved in his purest form.
Got to Be There isn't just an album; it's a historical document. Released by Motown on , it marked the moment Berry Gordy decided to launch the 13-year-old lead singer of the Jackson 5 on his own path. It's a fascinating snapshot of a prodigy finding his voice, featuring a mix of original tracks and covers that showcase his incredible early vocal range.
Over forty years later, engineers went back to the master tapes to create the . The 2013 release targets the limitations of early compact discs, which often suffered from flat, muddy transfers. In contrast, the 2013 master expands dynamic range, clarifies top-end sparkle, and solidifies the low-end punch of Motown’s session musicians. Track Analysis and Sonic Highlights Michael Jackson - Got To Be There -2013- -FLAC ...
Michael Jackson's Debut Solo Album 'Got To Be There' Turns 50
: Standard MP3s slice away up to 80% of audio data. FLAC retains 100% of the studio master's sonic information through bit-perfect preservation. The entire album has a consistent early 70s
Unlike standard CD audio (which is 16-bit/44.1kHz) or compressed MP3s (which throw away data to save space), FLAC is a "lossless" format. It preserves every single piece of audio data from the original master recording, ensuring bit-perfect playback. The 2013 version of Got to Be There uses a 192kHz sampling rate and a 24-bit depth, capturing a much wider dynamic and frequency range than standard digital files. While also efficient for storage, the main benefit of FLAC is its superior audio quality, making it an ideal choice for those who value high-quality sound.
: Unlike standard MP3s or even 16-bit CDs, the 24-bit FLAC files offer a wider dynamic range, preserving the subtle nuances of young Michael’s vocal delivery and the lush orchestral arrangements. Released by Motown on , it marked the
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He called Mara, the archivist he trusted with other people's fragile treasures. She came over in an hour with her notebook and an air of professional disbelief.
While the music was created decades earlier, the year 2013 in the search term holds special significance. On , the Got to Be There album was certified Gold by the Recording Industry Association of America (RIAA). This certification, for selling over 500,000 copies, reflected the album's enduring appeal, especially as a new generation of fans discovered Michael's early work through digital streaming and re-releases. The keyword -2013- links the original album to this significant sales achievement.
: It was certified Gold by the RIAA on the same year as the high-res remaster—for sales exceeding 500,000 units. Key Tracks Included